Composer, Orchestrator, Pianist, Conductor
COMPOSITIONS
Second Chance
For Big Band.
Recorded by Steven Feifke’s Big Band and UNT’s Two O’Clock Lab Band.
Original Composition. Recorded by Steven Feifke Big Band and UNT’s Two O’Clock Lab Band.
Digital Product includes:
Full Score (Transposed)
Individual Parts
All Parts file
Difficulty (1-6): 5
Written Tpt High Note (Not Concert): E6
Meter: 4/4
Style: Swing / Funk (Swung 8ths)
Doubles: Yes (Alto Sax 1 & 2 to Flutes)
Tempo (q=): 240
Solos: Tenor Sax 2, Trumpet 4
Sold by: Agustin Alonso Music LLC
Art Song for Soprano voice and Piano. Vocal Range: Bb3-Bb5
Watch live performance here: https://www.youtube.com/watch?v=lIsfBdyqUQ4
Vocal adaptations are available per request at agustin@agustinalonso.com.
Read E. E. Cumming’s poem: https://www.poetryfoundation.org/poetrymagazine/poems/49493/i-carry-your-heart-with-mei-carry-it-in
Art Song for Soprano voice and Piano. Vocal Range: Bb3-Bb5
Vocal adaptations are available per request at agustin@agustinalonso.com.
Read E. E. Cumming’s poem: https://www.poetryfoundation.org/poetrymagazine/poems/49493/i-carry-your-heart-with-mei-carry-it-in
Watch live performance: https://www.youtube.com/watch?v=lIsfBdyqUQ4
ARRANGEMENTS
“Creep” (Radiohead)
ORCHESTRATIONS
Picasso in Paris
Agustín has orchestrated +25 songs for the musical Picasso in Paris, envisioned for an 18-playerorchestra, which is currently in the last stages of development. Learn more about the project at https://picassoinparis.com/
This video showcases an off-Broadway reading/performance at 54 Below (New York City) featuring selected songs from the musical, with a reduced instrumentation for five performers.
⭐️ Testimonials
“Working with Agustín was an absolute pleasure! He wrote to the euphonium’s capabilities with the skill of a composer far beyond his years. His “Miniature No. 1” has a fun and idiomatic flow on the instrument and the harmonies are almost Hindemithian in their twisting and shifting. His piece balances a level of difficulty where the melodies are a suitable challenge for collegiate players, but perfecting the nuance is a task one could work at for a long time. I can’t wait to see what’s next for his compositional output; he has a lot to offer in the euphonium world in the future!”
This piece was written for “24|24,” an event for the College of Music of the University of North Texas where composers had 24 hours to write a piece for a soloist, and the performer had 24 hours to prepare it before the performance.